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{"id":77,"date":"2019-01-31T19:30:20","date_gmt":"2019-01-31T19:30:20","guid":{"rendered":"http:\/\/wox.webredox.net\/demo1\/2018\/07\/06\/simplicity-is-complex-copy\/"},"modified":"2023-06-15T07:33:40","modified_gmt":"2023-06-15T07:33:40","slug":"curriculum-vitae","status":"publish","type":"post","link":"https:\/\/www.brechtvanhoenacker.be\/curriculum-vitae\/","title":{"rendered":"Experience"},"content":{"rendered":"\n<p><strong>ERVARING&nbsp;<\/strong><strong>sep 199<\/strong><strong>8 &#8211; juni 2023<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Belgasport&#8217; productie van Woestijnvis (camera)<\/li>\n\n\n\n<li>&#8216;Appel Urgence&#8217; productie van De Chinezen (camera)<\/li>\n\n\n\n<li>&#8216;Feelodrome&#8217; promotiefilm Nic Balthazar (camera en montage)<\/li>\n\n\n\n<li>&#8216;Meer voor u&#8217; campagnefilm Vooruit (camera)<\/li>\n<\/ul>\n\n\n\n<p><strong>2022<\/strong><\/p>\n\n\n\n<ul>\n<li>Productie en postproductie &#8216;Rebels&#8217;&nbsp;<\/li>\n\n\n\n<li>&#8216;Welcome to Eutopia&#8217; documentaire, 32min in samenwerking met Nic Balthazar (co-regie, camera en montage)<\/li>\n<\/ul>\n\n\n\n<p><strong>2021<\/strong><\/p>\n\n\n\n<ul>\n<li>Productie en postproductie &#8216;Twee Zomers&#8217;<\/li>\n\n\n\n<li>Preproductie documentaire &#8216;Rebels&#8217; documentaire, 65min in samenwerking met Ann Peuteman (Knack) and Victoria Deluxe en Okra. (co-regie, camera en montage)<\/li>\n<\/ul>\n\n\n\n<p><strong>2020<\/strong><\/p>\n\n\n\n<ul>\n<li>Preproductie en productie &#8216;Twee Zomers&#8217;.&nbsp;<\/li>\n\n\n\n<li>&#8216;Gent Holidayland&#8217; promocampagne in opdracht van Visit Gent in samenwerking met Nic Balthazar (camera en montage)<\/li>\n<\/ul>\n\n\n\n<p><strong>2019<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Noodcentrale&#8217;, &#8216;Appel Urgence&#8217; productie van De Chinezen (camera)<\/li>\n\n\n\n<li>&#8216;100 dagen&#8217; 10 delige human interest reeks voor Roses Are Blue in opdracht van VRT (camera en montage)&nbsp;<\/li>\n\n\n\n<li>Preproductie &#8216;Twee Zomers&#8217; zesdelige psychologische thrillerreeks voor Netflix\/VRT in samenwerking met Tom Lenaerts, een productie van Panenka (co-regie)<\/li>\n<\/ul>\n\n\n\n<p><strong>2018<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Wat hebben we verdiend vandaag?&#8217;, documentaire, 95min, in productie van Victoria Deluxe, Boeren op een kruispunt, Boerenbond en ABS (regie, camera en montage)<\/li>\n\n\n\n<li>Solidaris &#8216;Nous sommes les defenseurs&#8217;, commercial, agency BBDO Brussels, production company Caviar Brussels (regie)&nbsp;<\/li>\n\n\n\n<li>HLN, commercial, agency TBWA Brussels, production company Caviar Brussels (regie)&nbsp;<\/li>\n\n\n\n<li>&#8216;De Noodcentrale&#8217; een productie van De Chinezen (camera)&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>2017<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Imposed Piece&#8217; (Opgelegd werk), documentaire, 86min, een productie van Caviar Brussels (regie)&nbsp;<\/li>\n\n\n\n<li>Solidaris &#8216;Libert\u00e9 de choix&#8217;, commercial, agency BBDO Brussels (regie)<\/li>\n\n\n\n<li>HLN, commercial, agency TBWA Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>&#8216;De Noodcentrale&#8217;, een productie van De Chinezen (camera)<\/li>\n<\/ul>\n\n\n\n<p><strong>2016<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;The city, my home&#8217; documentaire, 38min, in samenwerking met Mattias De Backer en VUB Brussel (regie, camera, montage)<\/li>\n\n\n\n<li>Solidaris &#8216;Accesible a tous le monde&#8217;, commercial, agency BBDO Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>Solidaris &#8216;Femme&#8217;, commercial, BBDO Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>Chaudfontaine &#8216;Factory&#8217;, commercial, agency Ogilvy Amsterdam (regie)<\/li>\n<\/ul>\n\n\n\n<p>production company Caviar Brussels (regie)<\/p>\n\n\n\n<ul>\n<li>&#8221;t Is niet zo erg&#8217;, documentaire, 60min, in samenwerking met Victoria Deluxe (regie, camera en montage)<\/li>\n\n\n\n<li>&#8216;De Noodcentrale&#8217;, production company De Chinezen (camera)<\/li>\n<\/ul>\n\n\n\n<p><strong>2015<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Blij dat ik jou heb&#8217;, documentaire, 75min, in samenwerking met Victoria Deluxe (regie, camera en montage)<\/li>\n\n\n\n<li>Dela &#8216;Unforgettable&#8217;, commercial, agency Famous Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>&#8216;De Noodcentrale&#8217;, een productie van De Chinezen (camera)<\/li>\n\n\n\n<li>Solidaris &#8216;Enfants&#8217;, &#8216;Parents&#8217;, commercial, BBDO Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>&#8216;Somer&#8217;, langspeelfilm van Dominique Willaert, een productie van Victoria Deluxe and Potemkino (director of photography)<\/li>\n<\/ul>\n\n\n\n<p><strong>2013-2014<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;De wet van het dorp&#8217;, documentaire, 86 min, een productie van Victoria Deluxe (regie, camera en montage)<\/li>\n\n\n\n<li>&#8216;Buffalo Forever&#8217;, documentaire, 85min, een productie van Victoria Deluxe in samenwerking met KAA Gent (regie , camera en montage)<\/li>\n\n\n\n<li>Delta Lloyd &#8216;Zilverfonds&#8217;, commercial, agency Famous Grey, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>Base &#8216;unlimited&#8217;, commercial, agency Duval Guiilaume Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>Klara &#8216;Iedereen klassiek&#8217;, agency Famous Grey, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>Kapaza &#8216;Tijd om het huis op te frissen&#8217;, commercial, agency Bowling Brussels, production company Caviar Brussels (regie)<\/li>\n\n\n\n<li>BNP paribas, production company Christelpalace Amsterdam (regie)<\/li>\n<\/ul>\n\n\n\n<p><strong>2011-2012<\/strong><\/p>\n\n\n\n<ul>\n<li>\u201cIets korter alstublieft\u201d, documentaire, 76min, een productie van Victoria Deluxe (regie, camera en montage)<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Advertising-commercial (director):&nbsp;Quick (Elegangz Paris), Hasbro (Elegangz Paris), SNS bank (Christelpalace Amsterdam), Bros (Christelpalace Amsterdam) Telenet (Rabbitcontent Brussels), Stepstone (Rabbitcontent Brussels),&nbsp;Car-Pass (Rabbitcontent Brussels, P-Magazine<\/li>\n<\/ul>\n\n\n\n<p><strong>2008-2009-2010<\/strong><\/p>\n\n\n\n<ul>\n<li>Advertising-commercial (regie):&nbsp;Telepass (Mercurio Rome), National Geographic (Mercurio Rome), Koninklijke Landmacht Nederland (Czar Amsterdam), Lotto (Czar Brussels), Studio Brussel(Czar Brussels), De Standaard (Czar Brussels), Gitem (Wanda Paris), General d\u2019Optique (Wanda Paris), Klara (Czar Brussels, BVN (Czar Brussels), Car-Pass (Czar Brussels), Kinepolis (Czar Brussels), Ford (Czar Brussels), Volkswagen (Czar Brussels), Balisto (Hamster Paris), Citro\u00ebn (Elegangz Paris) , SNS (Christelpalace Amsterdam)<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2003-2004-2005-2006-2007<\/strong><\/p>\n\n\n\n<ul>\n<li>Advertising-commercial (regie):Opel (CCCP Brussels), Radio Donna (CCCP Brussels), Coca Cola (CCCP Brussels), Clear (Wanda Paris), La Fran\u00e7aise des Jeux (Wanda Paris), France 4 (Wanda Paris), Epson (Wanda Paris), Supermarkt plus (Czar Amsterdam), Koninklijke Landmacht Nederland (Czar Amsterdam), Rijksdienst en Waterstaat (Czar Amsterdam), Dexia (CCCP Brussels), Croky (CCCP Brussels), Minderhedenforum (CCCP Brussels), Pure FM (CCCP Brussels), Europalia (CCCP Brussels)<\/li>\n\n\n\n<li>\u201cBlush\u201d, langspeelfilm van Wim Vandekeybus (assistant monteur)<\/li>\n\n\n\n<li>\u201cThe biggest sculpture of the world\u201d, performance-documentaire van Maarten Vanden Eynde. (camera en montage)<\/li>\n<\/ul>\n\n\n\n<p><strong>2002<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Poes Poes Poes&#8217;, een theatersoap van Frank Van Passel en Peter Van den Eede, in samenwerking met theater Victoria Gent and Companie De Koe (1ste regie assistent, locationscout)<\/li>\n\n\n\n<li>&#8216;Maria Dolores&#8217; , theatervoorstelling van Wayn Traub, in samenwerking met theater Victoria, Gent, Vooruit Gent, Schouwburg Rotterdam, Stuk Leuven (1ste regie assistent, productie assistant)<\/li>\n\n\n\n<li>Advertising-commercials (regie):&nbsp;<\/li>\n\n\n\n<li>Flemish government (CCP Brussels), De Standaard (CCP Brussels), Kanaal 2 (CCP Brussels), Sport Voetbalmagazine (CCP Brussels), Year of the disabled (CCP Brussels)<\/li>\n<\/ul>\n\n\n\n<p><strong>2001<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;Discotheque&#8217;, theatervoorstelling van Felix van Groeningen, Pol Heyvaert, Jonas Boel, productie: theater Victoria, Gent (live videomix, fotografie)<\/li>\n\n\n\n<li>&#8216;Theme from Discotheque\u201d, music video, Samanta Fu (fotografie)<\/li>\n\n\n\n<li>&#8216;Bricks&#8217; Feel Estate festival Gent, Ontroerend Goed (expo fotografie)<\/li>\n\n\n\n<li>&#8216;Belgi\u00eb-Turkije&#8217;, kortfilm, 17 min. (regie en scenario)<\/li>\n<\/ul>\n\n\n\n<p><strong>1998-1999<\/strong><\/p>\n\n\n\n<ul>\n<li>&#8216;The way I mate&#8217;, music video, Rednex (assistent art director)<\/li>\n\n\n\n<li>&#8216;Billets doux&#8217; kortfilm, Frauke Dierikx (assistent art director)<\/li>\n\n\n\n<li>&#8216;De aanspreker&#8217;, kortfilm, Geofrey Enthoven (electro)<\/li>\n\n\n\n<li>&#8216;The one&#8217;, music video, Das Pop (assistent art director)<\/li>\n\n\n\n<li>&#8217;50cc&#8217; kortfilm, Felix van Groeningen (2de camera)<\/li>\n\n\n\n<li>&#8216;Best of Kung Fu&#8217; , theatervoorstelling van Felix van Groeningen, Pol Heyvaert, Jonas Boel, productie theater Victoria Gent (videocreatie en participant)<\/li>\n\n\n\n<li>&#8216;Arzew&#8217; documentaire, Inge Staelens (director of photography)<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul>\n<li><\/li>\n<\/ul>\n\n\n\n<p><strong>AWARDS&amp;FESTIVALS<\/strong><\/p>\n\n\n\n<p>2023: DOCFEST Brugge (Rebels)<\/p>\n\n\n\n<p>2023: DOCVILLE Leuven, sectie Topics competitie (Rebels)<\/p>\n\n\n\n<p>2022: Twee Zomers: nominatie Kastaars<\/p>\n\n\n\n<p>2019: JIFA, les journ\u00e9es internationale du film sur l&#8217;art. Louvre, Parijs. (Imposed Piece)<\/p>\n\n\n\n<p>2018: BAFF Brussels art festival, competitie (Imposed Piece)<\/p>\n\n\n\n<p>2018: Giffoni Filmfestival, Gex doc, documentary section, Italy (Imposed Piece)<\/p>\n\n\n\n<p>2018: Santa Barbara Filmfestival, Cinematic Ouvertures, official selection (Imposed Piece)<\/p>\n\n\n\n<p>2018: DOCVILLE, Belgian documentary section, official selection (Imposed Piece)<\/p>\n\n\n\n<p>2018 BAFICI, section Panorama, Argentina (Imposed Piece)<\/p>\n\n\n\n<p>2018: Berkshire international filmfestival, USA (Imposed Piece)<\/p>\n\n\n\n<p>2018: Zagrebdox IDFF, music globe, Croatia (Imposed Piece)<\/p>\n\n\n\n<p>2017: IDFA, music competition, official selection, Netherlands (Imposed Piece)<\/p>\n\n\n\n<p>Advertising-commercial<\/p>\n\n\n\n<p>2009: CCB Awards, gold, Publication&amp;Media (Radio Klara &#8216;Plan&#8217;)<\/p>\n\n\n\n<p>2008 &#8211; Effi Award (De Standaard)<\/p>\n\n\n\n<p>2007 &#8211; Golden Award New York Festival, media promotion broadcast&nbsp;<\/p>\n\n\n\n<p>(Pure FM &#8216;Good music makes good people&#8217;)<\/p>\n\n\n\n<p>Bronze Clio Award Miami, tv cinema (Minority Forum &#8216;Soccerstar&#8217;)<\/p>\n\n\n\n<p>Silver CCB Award Brussels (Minority Forum &#8216;Soccerstar&#8217;)<\/p>\n\n\n\n<p>London International award, silver, TV-Media-Promotion&nbsp;<\/p>\n\n\n\n<p>(Pure FM &#8216;Good music makes good people&#8217;)<\/p>\n\n\n\n<p>Shortlist Cannes Festival (Pure FM &#8216;Good music makes good people&#8217;)&nbsp;<\/p>\n\n\n\n<p>(Minority Forum &#8216;Soccerstar&#8217;)<\/p>\n\n\n\n<p>2006 &#8211; Cresta Award, television (Clear &#8216;Rockstar&#8217;)&nbsp;<\/p>\n\n\n\n<p>2005 &#8211; Bronze Eurobest, beauty and cosmetics (Clear &#8216;Rockstar&#8217;)&nbsp;<\/p>\n\n\n\n<p>Epica Silver Award, beauty product (Clear &#8216;Rockstar&#8217;)&nbsp;<\/p>\n\n\n\n<p>2004 &#8211; Golden Award Montreux, public awarness (year of the disabled &#8216;Con&#8217;)<\/p>\n\n\n\n<p>Cresta Award New York, public awarness (year of the disabled &#8216;con&#8217;)<\/p>\n\n\n\n<p>Silver Eurobest, public awarness (year of the disabled &#8216;Con&#8217;)<\/p>\n\n\n\n<p>Grand Global Award for social commitment New York (year of the disabled &#8216;Con&#8217;<\/p>\n\n\n\n<p><strong>Kortfilm &#8216;Belgi\u00eb-Turkije&#8217;<\/strong><\/p>\n\n\n\n<p>2001 &#8211; Canvasprijs, Grote Ongeduld&nbsp;<\/p>\n\n\n\n<p>Prijs van de jury, Internationaal Kortfilmfestival Leuven&nbsp;<\/p>\n\n\n\n<p>KBC CJP trofee&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>experience<\/p>\n","protected":false},"author":1,"featured_media":997,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[12],"tags":[11],"_links":{"self":[{"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/posts\/77"}],"collection":[{"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":45,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/posts\/77\/revisions"}],"predecessor-version":[{"id":1336,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/posts\/77\/revisions\/1336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/media\/997"}],"wp:attachment":[{"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/categories?post=77"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brechtvanhoenacker.be\/wp-json\/wp\/v2\/tags?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}